IN ALIGNMENT
DANA GORDON | RICK KLAUBER
February 21 - March 21, 2026
Helm Contemporary is pleased to present In Alignment, an exhibition of works on paper and paintings by Rick Klauber and Dana Gordon. The show considers alignment through the enduring presence of the grid, an organizing structure central to modern abstraction since Piet Mondrian. For both artists, the grid endures as structure—supporting color, guiding movement, and holding the work in balance.
Klauber’s works on paper and reliefs explore line, interval, and color as structured systems. In the reliefs, individually painted wooden shims are mounted directly to the wall, forming measured sequences where bands of color establish rhythm. Each shim retains its material presence—grain, edge, density—while contributing to an overall spatial order. The grid operates implicitly, and color functions as a structural element within the composition.
Gordon engages the grid as both armature and site of activation. Beneath looping lines lies a disciplined framework that anchors each composition. Gesture does not dissolve this order; it tests and reanimates it. Saturated fields of color generate spatial tension while maintaining the integrity of the picture plane, extending the modernist dialogue between geometry and expression into the present.
Together, the works propose alignment as a dynamic condition—where structure and improvisation coexist, and where color defines space through relation rather than illusion. In Alignment situates both artists within an ongoing conversation with abstraction, where the grid persists not as a fixed system, but as a living matrix.
About the artists
Both artists have longstanding exhibition histories in New York and internationally. At the beginning of their careers, each worked closely with major figures of the New York School—Dana Gordon with Tony Smith and George Sugarman, and Rick Klauber with Robert Motherwell and Helen Frankenthaler—formative experiences that situate their practices within a direct postwar lineage.
Dana Gordon (b. 1944, Boston) lives and works in New York. He grew up mainly in Chicago and studied painting at Brown University and Hunter College. From 1968 to 1979 he made avant-garde films that were shown internationally, including solo presentations at the Museum of Modern Art and the Walker Art Center. The first New York solo exhibition of his paintings was held in 1982, followed by numerous others in New York and abroad, including several at Andre Zarre, Sideshow, and 55 Mercer galleries, and a 2019 retrospective at Westbeth Gallery. In 1993 he was one of the founders of The Painting Center in New York. His work is held in public and private collections including the Brooklyn Museum, M I.T., and the Royal Belgian Film Archive, and he has received awards from the Pollock-Krasner Foundation and the Edward Albee Foundation among other
Rick Klauber (b. 1950, NYC) approaches abstraction, gesture and geometric color in his ongoing work on canvas, paper, and his constructed Shim Paintings. Here lumberyard shingles - “shims” - act as found brushstrokes, which he paints and combines. Klauber is a lifelong New Yorker. He studied painting at Bard College and at the same time worked closely with Helen Frankenthaler and Robert Motherwell in their studios. Klauber has exhibited here and abroad at venues including Artists Space, White Columns, Oscarsson Hood Gallery, Howard Scott Gallery, Galerie Hubert Winter, Albert Merola Gallery and Elizabeth Harris Gallery. His work has been reviewed in Art in America, Artforum, The Brooklyn Rail and other publications. He is in many public and private collections. Klauber is a recipient of the New York Foundation of the Arts Murray Reich Distinguished Artist Award.

